Damon Blows America Portland
Genres: bareback porn
Video language: English
Damon wanted to start his career as a treasure island sexhound with a bang, so he decided to get the treasure island media logo tattooed onto his belly. Now that's commitment! And this first video centers around the road trip to portland, oregon where he gets the tattoo done. The action starts with damon and a couple of his cock-sucking young buddies on the road, enjoying the scenery, eating fast food - and sucking each other's cocks all the way.
When they get to portland, their first encounter is with a slutty sexy young man who goes by the name of "trade". In a scene appropriately named "the sweat box", trade and one of damon's buddies fuck around and suck each other's cocks while being videotaped. When they shoot, they both hungrily lap up each other's hot cum.
Next, damon's lean and hung friend nathaniel connects with a young man named levi cruz in portland. Levi is a good-looking guy, but his real talent doesn't become apparent until he hauls out a big fat suckable dick. It's almost too much for nathaniel to handle, but he's a hungry man and manages to take the dripping choda like a pro. At the same time, levi swallows down nathaniel's beautiful long curving cock. Damon meant to stay behind the camera for this scene, but as levi and nathaniel got close to shooting their loads, he just couldn't help himself and had to get in on the action. He tosses the videocamera to nathaniel and gets down on his knees to service both cocks at once. And, like the good dog he is, he doesn't stop lapping and sucking until he gets fed a couple of fresh, thick hot loads of jizz.
The next scene is definitely one of a kind. I've never seen anything quite like it. Damon gets his lean sexy belly tattoo'd with the treasure island logo while another of his sex-buddies (a hairy-chested piglet who goes by the name of dhamiboo) feeds his thick cock to damon. And damon, getting inked all the while, nurses away like a happy baby hoping for some man-milk. Nathaniel was supposed to just film this event, but he jumps up on the table and feeds his cock to dhamiboo, so there's a little chain of hungry cocksuckers. The only sounds you hear are the buzz of the tattoo gun and the heavy slurping of men sucking dick. The tattoo session goes on until dhamiboo shoots a nice heavy load all over damon dogg's face. While damon happily slurps his buddy's cum off his own face, nathaniel shoots a big healthy load of hot juice right into dhamiboo's mouth. Some of nathaniel's load drips down onto the dogg's face, so lucky-dog damon gets to sample both loads. At the end of the scene, the tattoo artist wipes off damon dogg's belly to show off the brand-new treasure island media pirate tattoo. This is a hot and really unusual scene!
Damon connects with a very sexy young guy who goes by the unique name "groove monkey". Damon is an inventive cocksucking cum-worshipper, so he sucks groove monkey off, taking the whole big load into his mouth and then dribbles the hot sticky white-stuff into a martini glass. Then damon jerks off and squirts his own fresh jism into the martini glass, mixing the two loads together. Thirsty after all that work, damon drinks down every drop of the cum out of the martini glass, licking his lips and grinning.
Format: mkv (Matroska)
Duration: 1:50:48
Video: 640x480, HEVC
File size: 936.0 MB
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Gay Retro Bijou - The Light From The Second Story Window
Video language: English
Based on the sleazy autobiography of the same name, The Light from the Second Story Window recounts the story of a naive young man (played by Dave Allen, famous for his performance in A Deep Compassion) who goes to Hollywood in search of "fame and fortune" but winds up working as a two-bit hustler. This movie delivers pre-condom sex at its finest ... including an awesome cumshot right in young David Allen's mouth!"When The Light from the Second Story Window premiered theatrically in 1973, critics were quick to heap praise upon the dramatic richness and epic scope of the production. Certainly, it was ambitious, perhaps the most ambitious gay adult film ever produced up to that time. The years, however, have not been kind to this cautionary tale of a Hollywood wannabe who becomes a whore before becoming a star. From the vantage point of the Nineties, what remains is (1) a gender-fucked wages-of-sin soap opera of the sort in which Kay Francis and Norma Shearer used to wallow so extravagantly during the Thirties, and (2), a vanity production for David Allen, who wrote the screenplay (based on his novel), directed, and cast himself in the starring role, all too often forgetting the genre in which he had chosen to tell his tale - there is not one frame in the entire film of him at erection.The first thing one sees as the film opens is the Greyhound Bus Depot in West Hollywood, where a blond naif (Allen) steps off the bus to be met by a black pimp (Winston Kramer) and a white drag queen (Richard Lindstrom). Soon he is at the home of a male madam (Brad Preston), and offered the proposition that if he puts out for clients in private settings and for the camera in fuck flicks, he will eventually be given a role in a mainstream film. There follows a mechanical sex scene in which an unattractive john and a disinterested boy toy go at it. Like most of such scenes in the film, this one has a beginning (penetration) and an ending (the money shot), but very little middle, and no sense of a complete sexual experience. The episode serves as an eye-opener for Allen, who (after being plied with liquor and some sort of 'pill') agrees to bed down with the pimp, as sort of an audition. They kiss. Allen sucks and gets fucked (although the anal action appears to be simulated, and neither has an on-camera ejaculation).
The third and fourth explicit episodes - of Allen with clients - are more successful on a purely prurient level. The first, a threeway with a father and son poolside, includes Allen sucking, rimming, and another apparently simulated fuck. The other, featuring Cassidy as a closeted movie star, clearly shows why he was one of the most popular early stars of the genre. The camera loved his chiseled features, gym-built physique, and sturdy erection, and he throws a definitely not-simulated fuck to the diminutive blond that culminates with a syrupy money shot all over Allen's tongue. But Allen's character is beginning to regret his life of 'being constantly used.'
An 'acting workshop' for clients turns into a kaleidoscopically filmed orgy at which the cop on the take (Richard Lavette) selects Allen as his bonus of the day and subsequently puts him through a humiliatingly homophobic S&M exercise. This degradation prompts the onset of a nervous breakdown in which Allen attempts to ape Orson Welles' classic temper tantrum in Citizen Kane. This is followed in quick succession by Allen's meeting a nice, middle-aged gentleman (William Laskey) who raises snakes, intones the most polemic dialogue in the film (all about love and longing), and eventually commits suicied; by Allen's becoming an overnight success as a legit movie star; and by by a celebration at a cabaret where a drag queen (Felisha Farr) lip-syncs 'Why Was I Born' and Allen meets the love of his life, another wannabe, who is straight (Ray Todd).The wages-of-sin theme shifts to the hollowness-of-fame theme, as Allen almost has sex with Todd (another sensation from the early days of porn); hires a hustler of his own (Joey Daniels) who turns out to be more of a philosopher than a sexualist in a non-explicit scene; and finally gets Todd into his bed for the hottest sex scene in the movie and an ambiguous ending in which the straight guy is gradually coming around ('Give me time... Don't push me... You can't have everything.') And the film ends with a stunning freeze frame of Allen in front of a giant kleig light at yet another premiere - rich, famous, and alone.
Why, then, after all these years, should one bother to view - or review - this film? Well, for all its flaws, The Light from the Second Story Window represents an earnest attempt to explore and exhibit human sexuality within a dramatic narrative structure, something that was rarely being attempted in those days of furtive shoots in motel rooms. Clumsy as it may seem today, LIGHT paved the way for other filmmakers who believed that the explicit film and the narrative could be melded, and now and again, this one does rise above cliche
Format: Windows Media
Duration: 1:56:30
Video: 640x480, Windows Media Video 9, 1870kbps
Audio: 125kbps
File size: 1.7 GB
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